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« N'ayez rien dans vos maisons que vous ne considérez pas utile ou croyez être beau. »Cette citation de William Morris pourrait résumer à elle seule les Arts & Crafts, mouvement unique qui, en Angleterre, provoqua une véritable réforme des arts appliqués. Fondés par John Ruskin, puis véritablement mis en oeuvre par William Morris, les Arts & Crafts véhiculèrent des idées révolutionnaires dans l'Angleterre victorienne. Au milieu de l'ère industrielle « sans âme » qui standardisait les objets, les Arts & Crafts proposèrent de remettre l'esthétique au sein de la production. L'artisanat et le desi
Arts and crafts movement. --- Arts and crafts movement --- Artists --- Aesthetic movement (Art) --- Persons
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Arts and crafts movement --- Artists --- Persons --- Aesthetic movement (Art) --- History. --- Ruskin, John,
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"Have nothing in your house that you do not know to be useful, or believe to be beautiful." This quote alone from William Morris could summarise the ideology of the Arts & Crafts movement, which triggered a veritable reform in the applied arts in England. Founded by John Ruskin, then put into practice by William Morris, the Arts & Crafts movement promoted revolutionary ideas in Victorian England. In the middle of the "soulless" Industrial Era, when objects were standardised, the Arts & Crafts movement proposed a return to the aesthetic at the core of production.
Arts and crafts movement --- Artists --- Persons --- Aesthetic movement (Art) --- History. --- Ruskin, John, --- Morris, William, --- Ashbee, C. R.
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In this lively, personal book, Robert Scholes intervenes in ongoing discussions about modernism in the arts during the crucial half-century from 1895 to 1945. While critics of and apologists for modernism have defined modern art and literature in terms of binary oppositions-high/low, old/new, hard/soft, poetry/rhetoric-Scholes contends that these distinctions are in fact confused and misleading. Such oppositions are instances of "paradoxy"-an apparent clarity that covers real confusion.Closely examining specific literary texts, drawings, critical writings, and memoirs, Scholes seeks to complicate the neat polar oppositions attributed to modernism. He argues for the rehabilitation of works in the middle ground that have been trivialized in previous evaluations, and he fights orthodoxy with such paradoxes as "durable fluff," "formulaic creativity," and "iridescent mediocrity." The book reconsiders major figures like James Joyce while underscoring the value of minor figures and addressing new attention to others rarely studied. It includes twenty-two illustrations of the artworks discussed. Filled with the observations of a personable and witty guide, this is a book that opens up for a reader's delight the rich cultural terrain of modernism.
Modernism (Art) --- Modernism (Literature) --- Arts, Modern --- Criticism --- Crepuscolarismo --- Literary movements --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- History
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In the earliest decades of the modernist movement many interpretations of it took the form of parodies. Mock Modernism is an anthology of these amusing pieces, the overwhelming majority of which have not been in print since the first decades of the twentieth century.
Modernism (Literature) --- Modernism (Art) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Crepuscolarismo --- Literary movements --- Press coverage. --- Public opinion.
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The first study of the origins and multiple expressions of New England's Arts and Crafts architecture
Arts and crafts movement --- Architecture --- Aesthetic movement (Art) --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- History --- Design and construction --- Architecture, Primitive
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This book examines solutions to the crisis of modernity proposed by the Spanish philosopher Miguel de Unamuno and the Mexican philosopher Antonio Caso. Acceptance of the objective claims of modern scientific rationality and the consequent rejection of the objective validity of artistic, moral, and religious claims generates the crisis of modernity. The problem is that of justifying artistic, moral, and religious claims. Miguel de Unamuno in his classic work, The Tragic Sense of Life , addresses the conflict between the belief in personal immortality and modern scientific rationality. Holding that there is no rational justification for the belief in immortality, Unamuno finds a solution in a “saving scepticism” to act “as if” he deserved immortality. In his book Existence as Economy, as Art, and Charity Caso attempts to create an aposteriori metaphysics based on the “current” results of science supplemented by the intuitions of art and morality. In doing so, Caso believes that he has enlarged the scope of the knowable to include objects of art, morality, and religion. Unamuno, by accepting the strict line of demarcation between faith and reason has no other recourse but to turn to decisionism. By turning to intuitionism, Caso believes that he has blurred the line of demarcation. Decisionism and intuitionism, therefore, are worthy of further exploration.
Modernism (Art) --- Decorative arts --- Applied arts --- Art industries and trade --- Art --- Handicraft --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Philosophy.
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Aesthetic movement (Art) --- Aesthetics. --- Aesthetics --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Aesthetic movement (British art) --- Movement, Aesthetic --- Psychology --- Radio broadcasting Aesthetics --- History.
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Modernism and Masculinity investigates the varied dimensions and manifestations of masculinity in the modernist period. Thirteen essays from leading scholars reframe critical trends in modernist studies by examining distinctive features of modernist literary and cultural work through the lens of masculinity and male privilege. The volume attends to masculinity as an unstable horizon of gendered ideologies, subjectivities and representational practices, allowing for fresh interdisciplinary treatments of celebrated and lesser-known authors, artists and theorists such as D. H. Lawrence, Ezra Pound, Henry Roth, Theodor Adorno and Paul Robeson as well as modernist avant-garde movements such as vorticism, surrealism and futurism. As diverse as the masculinities that were played out across the early twentieth century, the approaches and arguments featured in this collection will appeal especially to scholars and students of modernist literature and culture, gender studies and English literature more broadly.
Modernism (Literature) --- Masculinity in literature. --- Modernism (Art) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Masculinity (Psychology) in literature --- Crepuscolarismo --- Literary movements
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Art styles --- Literature --- anno 1900-1999 --- Arts, Modern --- -Arts, Modern --- -Modernism (Art) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Modern arts --- Modernism (Art) --- Modernism (Art).
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